Just as orthography is thought made visible as text, script is an expression of our very humanity in the structured liberty of the dance of the pen. The noble chancery hand is a sublimely efficient legacy of the humanist Renaissance. The elegant and scholarly clarity of the structures of script given by the writing masters of the turn of the sixteenth century has never been surpassed.

Chancery script is still as much a celebration of our shared humanity as it always has been, and it is a far cry from the stultifying boredom of the looping twiddles of the ‘handwriting’ of schools. And now in modern times, the partnership of the ten-fingered dance of keyboarding with the finger driven dance of the pen brings liberating and joyous reality to thought made visible as text.

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